Here are (some of) this week’s new releases; it is quite a large list. As usual please click on the cover image to check the library catalog for availability.
From Saladin Ahmed, finalist for the Nebula and Campbell Awards, comes one of the year’s most anticipated fantasy debuts, THRONE OF THE CRESCENT MOON, a fantasy adventure with all the magic of The Arabian Nights.
The Crescent Moon Kingdoms, land of djenn and ghuls, holy warriors and heretics, Khalifs and killers, is at the boiling point of a power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings:
Doctor Adoulla Makhslood, “The last real ghul hunter in the great city of Dhamsawaat,” just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame’s family is murdered, Adoulla is drawn back to the hunter’s path.
Raseed bas Raseed, Adoulla’s young assistant, a hidebound holy warrior whose prowess is matched only by his piety, is eager to deliver God’s justice. But even as Raseed’s sword is tested by ghuls and manjackals, his soul is tested when he and Adoulla cross paths with the tribeswoman Zamia.
Zamia Badawi, Protector of the Band, has been gifted with the near-mythical power of the Lion-Shape, but shunned by her people for daring to take up a man’s title. She lives only to avenge her father’s death. Until she learns that Adoulla and his allies also hunt her father’s killer. Until she meets Raseed.
When they learn that the murders and the Falcon Prince’s brewing revolution are connected, the companions must race against time–and struggle against their own misgivings–to save the life of a vicious despot. In so doing they discover a plot for the Throne of the Crescent Moon that threatens to turn Dhamsawaat, and the world itself, into a blood-soaked ruin.
What does a woman do when she discovers her husband is an incurable cheater? If she’s Cat DeLuca she launches the Pants On Fire Detective Agency. Now Cat does what two years of unholy matrimony taught her. She catches cheaters.When a client (Cleo Jones) shoots her cheating husband’s bum full of buckshot, he disappears, taking her money, dog, and sister with him. Private Investigator Cat DeLuca promises to return the dog and money if her client stops shooting at Walter. Cleo agrees. The detective finds the dog and a mysterious bag chuck-full of cash. And then she finds Walter. His very dead body is still warm.
The case is a slam dunk for the cops who arrest Cleo for the murder of her husband. She had motive and opportunity and a dozen witnesses heard her scream bloody murder. One made a video.
Cat DeLuca is determined to prove her client’s innocence and it’s not an easy sell. Walter was an unsavory character with enemies. To find his killer, Cat will have to sift through the ones who didn’t pull the trigger. Her investigation leads to four players with secrets: a childhood friend, a gambler, a construction tycoon, and a legendary Chicago designer. When forensic evidence suggests the detective knows more about the murder than she’s telling, Cat faces the certain loss of her agency.
Cat DeLuca is smart and charming. She’s an unlikely heroine and her partner, a beagle named Inga, is quite likely to eat the evidence. Sticks and Stones delivers steamy romance, intrigue and laugh out loud humor for a wickedly delicious read.
These eight new stories from the celebrated novelist and short-story writer Nathan Englander display a gifted young author grappling with the great questions of modern life, with a command of language and the imagination that place Englander at the very forefront of contemporary American fiction.
The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.
Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation
Booker Prize winner Dame Antonia Byatt breathes life into the Ragnorak myth, the story of the end of the gods in Norse mythology.
Ragnarok retells the finale of Norse mythology. A story of the destruction of life on this planet and the end of the gods themselves: what more relevant myth could any modern writer choose? Just as Wagner used this dramatic and catastrophic struggle for the climax of his Ring Cycle, so AS Byatt now reinvents it in all its intensity and glory. As the bombs of the Blitz rain down on Britain, one young girl is evacuated to the countryside. She is struggling to make sense of her new wartime life. Then she is given a copy of Asgard and the Gods – a book of ancient Norse myths – and her inner and outer worlds are transformed.
War, natural disaster, reckless gods and the recognition of impermanence in the world are just some of the threads that AS Byatt weaves into this most timely of books. Linguistically stunning and imaginatively abundant, this is a landmark.
In the year since the CIA trained and then unleashed him, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. With each swift and untraceable kill, the tangled network of monsters responsible for the slaughter of 270 civilians in the Pan Am Lockerbie attack become increasingly aware that someone is hunting them. Rapp is given his next target, and finds the man asleep in his bed in Paris. In the split second it takes the bullet to leave Rapp’s silenced pistol, the trap is sprung and he finds himself in the fight of his life.
The next morning, nine bodies are discovered in one of Paris’s finest hotels—among them the Libyan oil minister. Back in Washington the finger-pointing begins in earnest as no one wants any part in what has become an international crisis and potential embarrassment for the CIA. Rapp’s handlers have only one choice—deny any responsibility for the incident and pray that their newest secret weapon stays that way.
Rapp must avoid capture or die quietly. One person in the group, however, is not prone to leaving such important things to chance. Rapp has become a liability, and Stan Hurley will not allow Rapp to be taken alive by the French authorities, even if it means killing him. Operating on his own and outside the control of his handlers, it will soon become clear that nothing is more dangerous than a wounded and cornered Mitch Rapp.
In Flynn’s newest page-turner, the stakes are higher than they’ve ever been as Mitch Rapp embarks on the journey that will turn him into America’s most deadly asset. The nonstop action in this shockingly realistic political thriller will keep your pulse pounding till the very end.
One morning in picture-perfect Bath, England, a teenage girl’s body is found on the towpath of a canal. Lorne Wood—beautiful, popular, and apparently the victim of a brutal murder. Why was she on the towpath late at night alone? Zoe Benedict—Harley-riding police detective, independent to a fault—is convinced the department head needs to look beyond the usual domestic motives to solve the case. Meanwhile Zoe’s sister Sally—recently divorced and supporting a daughter who was friends with the dead girl—has begun working as a housekeeper for a rich entrepreneur who quickly begins to seem less eccentric than repugnant, and possibly dangerous. When Zoe’s investigation uncovers evidence that Lorne’s attempts to break into modeling had delivered her into the world of webcam porn, a crippling secret from Zoe’s past seems determined to emerge.
Growing up in a family of political journalists—and daughter of President Reagan’s White House social secretary—Ali Wentworth rebelled against her blue-blood upbringing, embracing Hollywood, motorcycles, even a few wildly inappropriate marriage proposals. Today she is an acclaimed comedic actress and writer, former Oprah regular, wife of political and media star George Stephanopoulos, and a mother who lets her two girls eat cotton candy before bed. Though she’s settled down, her rebellious nature thrives in her comedy and her view of her crazy world.
In this addictively funny and warm memoir, she takes us through the looking glass and into the wonderland of her life, from a childhood among Washington’s elite to a stint in the psych ward they called a New England prep school; days doing L.A. sketch comedy (with then-aspiring artists Will Ferrell and Lisa Kudrow) to a series of spectacularly failed loves (that eventually led her to Mr. Right). Constant throughout is her mother, Muffie—a flawlessly elegant yet firm, no-nonsense force of nature and pure WASP convictions.
As charming and off-the-wall as Ali herself, Ali in Wonderland is an entertaining look at life that is both intimate and hilarious.
In New York Times bestselling author Lisa Gardner’s latest D.D. Warren thriller, the relentless Boston investigator must solve a coldly calculated murder–before it happens.
In four days, someone is going to kill me . . .
Detective D. D. Warren is hard to surprise. But a lone woman outside D.D.’s latest crime scene shocks her with a remarkable proposition: Charlene Rosalind Carter Grant believes she will be murdered in four days. And she wants Boston’s top detective to handle the death investigation.
It will be up close and personal. No evidence of forced entry, no sign of struggle.
Charlie tells a chilling story: Each year at 8:00 p.m. on January 21st, a woman has died. The victims have been childhood best friends from a small town in New Hampshire; the motive remains unknown. Now only one friend, Charlie, remains to count down her final hours.
But as D.D. quickly learns, Charlie Grant doesn’t plan on going down without a fight. By her own admission, the girl can outshoot, outfight, and outrun anyone in Boston. Which begs the question, is Charlie the next victim, or the perfect perpetrator? As D.D. tracks a vigilante gunman who is killing pedophiles in Boston, she must also delve into the murders of Charlie’s friends, racing to find answers before the next gruesome January 21 anniversary. Is Charlie truly in danger, or is she hiding a secret that may turn out to be the biggest threat of all?
In four days, someone is going to kill me. But the son of a bitch has gotta catch me first.
Madmen see monsters – and monsters hide in plain sight
Sebastian Becker lives in England. From a basement office in London’s notorious Bethlehem Hospital, he investigates wealthy eccentrics whose dubious mental health may render them unable to manage their own affairs. His arrival in the rural countryside to interview rich landowner Sir Owain Lancaster, whose sanity has been in question since a disastrous scientific adventure in the Amazon killed his family and colleagues, coincides with the disappearance of two young local girls. When the children are found slain, Lancaster claims that the same dark forces that devastated his family have followed him home. It is not the first time that children have come to harm in this town. Becker must determine whether Lancaster is insane and a murderer, or if some even more sinister agency is at work.
Struggling on his small salary, and with unexpected help from a son who needs special care, Becker and his wife make sacrifices so Becker can stay on the case after an innocent man is convicted of the crime. The answers he seeks may be found in the terrifying childhood experience of two young women on Lancaster’s estate, but only if Becker can win their trust in time.
From dank asylums to the lush and treacherous Amazon, through the makeshift studios of the early film industry and a traveling fair of freaks and illusions, Sebastian Becker’s search for answers brings him face to face with madmen and monsters, both imagined and real. Confronting immense danger in his hunt for the truth, he will explore murder, tragedy, and the tempestuous depths of his own mind.